tony oursler analysis

tony oursler analysis

Tony Oursler. FILE Metallic hoods with facial features cut out from stainless steel jar you with their artificiality. Tony Oursler. 1957, New York, NY) has been one the most experimental artists of his generation, consistently redefining installation art and the moving image. SPONSOR FILE From March 2007, we will be developing an online engagement with Tony Oursler's work, including discussion of recent exhibitions, past work and key publications. After taking a look at Tony Oursler works on his website, I found some interesting and inspirational pieces that I thought necessary to discuss. Analyse d’oeuvres; Exposition « Eyes » exposé au Metro Picture à New York en 1996. (2012). “There are many dark elements at work but simultaneously there are great creative and social leaps to be made. What inspires your art? Aller au contenu principal Centre Pompidou. The artist’s interest in the face as the locus of communication and identity, through features, movement and expression, is central to these works. . Tony Oursler is interested in magical thinking—a belief in the causality of unrelated phenomena despite the lack of proof. Tony Oursler Eyes, détail, 1996 Courtesy Tony Oursler et Metro Pictures, NY "Quelque chose tourne autour du regard", analyse Jean-Luc Nancy dans son essai Le Regard du portrait (Editions Galilée, 2001, p.18). (2019). T he dead are coming through. Beginning in the early 1980s, after receiving his B.A. The installation … Il se concentre en effet dans le phénomène de la vision, dans l'iris fixé sur nous, une part énigmatique de l'individu qui nous fait face. Obscura by Tony Oursler - An Art Analysis Tony Oursler’s 2014 anthological exhibition, Obscura, is set in an environment that makes it impossible to ignore the work that surrounds you. Oursler explores the nuanced ramifications of these tools increasing ubiquity in daily life. Available at: https://www.youtube.com/watch?v=5HjR1X0a4e4 [Accessed 14 Dec. 2019]. Tony Oursler has a dynamic video practice that combines and expands the physical, confrontational installations of Nam June Paik and Bruce Nauman, the countercultural analysis of Mike Kelley and Jim Shaw, and the prevailing theories about the psychological impact of mass media on the individual. I really liked the creativity and fantasy behind each piece and how out of the box his ideas are. For Oursler, the archive functions as an open visual resource, historical inquiry and--most intriguingly--a family history. Question 1: analyse d'oeuvre, Tony Oursler "Marlboro, Camel, Winston, Parliament, Salem, Marlboro Light, American Spirit", 2009. from Cal Arts and studying under John Baldessari alongside the likes of Mike Kelly and Jim Shaw, Oursler has worked with a range of mediums, from … “It seems like these days they’re pulling away from us, aggregating enormous amounts of data, looking back at us and taking measure of their maker. In this project, analytical, documentary and interview texts will act as maps of key terms, ideas, and works, linking to pages of analysis, documentation, quotation, and comment. His art covers a range of mediums working with video, sculpture, installation, performance and painting. Tony Oursler was one of the few people who knew about David Bowie's comeback As the world rejoiced at the return of David Bowie last week, the … For the Lisson show, I made some video of camo-designs that are supposed to confuse facial recognition algorithms, people have been playing with this in clothing design and make up. His concern with the consequences of television and the moving image on psychology and personal relationships was his starting point. Tony Oursler. Available at: https://www.youtube.com/watch?v=yTG1oxBo-3o [Accessed 14 Dec. 2019]. Re: Tony Oursler Jean-Yves Amir le Mer 27 Déc - 18:35. Tony Oursler, On Chance and Face, from Vox Vernacular, 2013. It all seems so sci-fi right now, too much like William Gibson novels. Oursler lives in New York. ( Log Out /  Tony Oursler, Mike Kelley Titre principal The Poetics Project. His enduring fascination for the conjunctions between the diametrically opposed worlds of science and spiritualism have allowed him to explore all kinds of occult and mystical phenomena, employing not just smoke and mirrors, but playing the role of circus showman and extricating the sham from the shaman. (2019). In other words, they are excessively articulate. 'Imponderable' is the title of Tony Oursler's current exhibition at LUMA Westbau in Zurich. Tony Oursler is an American multimedia and installation artist who specialises in a range of mediums, such as video, sound sculpture, performance and paintings. The 1990 Tunic (Song for Karen), a music video made in collaboration with and starring Sonic Youth, merges Oursler’s distinctive visual strategies with Sonic Youth’s rock critique of the relation of celebrity, gender and body image. from the California Institute for the Arts, Valencia, where he studied under John Baldessari. His museum exhibitions include The Museum of Modern Art, New York (2017); Magasin III Museum & Foundation for Contemporary Art, Stockholm, Sweden (2016); Hessel Museum of Art, Bard College, Annandale-On-Hudson, NY (2016); The Museum of Modern Art, New York (2016); LUMA Westbau, Zurich, … Illustration: Artificial Hazard, Tony Oursler, 2010Deuxième escapade à Milan pour le grupetto Think Tank, ciblée cette fois–ci Foire du Meuble (ou Semaine du design selon les traducteurs), festival électro–rock Elita, puis quelques galeries et musées, dont le Padiglione d'Arte Contemporana qui présentait une large rétrospective de l'art vidéo biscornu de l'Américain Tony Oursler. A pioneer of new-media art since the mid-1970s, Tony Oursler is best known for his video projections and installation works that explore technology's effects on the human mind. “The viewer is spooked by technology, I don’t have to do that,” explains Oursler. Curated by Beatrix Ruf and Tom Eccles of the LUMA Foundation. Obscura by Tony Oursler - An Art Analysis Tony Oursler’s 2014 anthological exhibition, Obscura, is set in an environment that makes it impossible to ignore the work that surrounds you. Tony Oursler Jean-Yves Amir le Mer 27 Déc - 18:33. In this project, analytical, documentary and interview texts will act as maps of key terms, ideas, and works, linking to pages of analysis, documentation, quotation, and comment. Feb 13, 2014 - My recording of the Tony Oursler installation at AROS Exhibition Center, Aarhus, Denmark 2012. . “I stumbled across these creepy images on the internet and was intrigued by the notion of a sort of machine gaze,” Oursler explains of the eigenfaces. tonyoursler.com He completed a Bachelor of Fine Arts at the California Institute for the Arts, Valencia, California in 1979. The miniaturized, hand-constructed and painted mixed-media sets that are Oursler’s signature suggest post-punk spectacles via German Expressionism; his somnambulant voiceovers and disorienting sound collages evoke stream-of-consciousness dreamstates. FESTIVAL. . In the late 1980s Oursler increasingly used his narrative and visual strategies to construct social critiques. One can imagine a whole industry built up around privacy and/or protecting these flaws. Tony Oursler appartient à la génération qui a renouvelé l’utilisation de la vidéo en s’affranchissant des limites propres aux écrans de télévision. In 1999, a mid-career retrospective of Oursler’s work was exhibited at Williams College, Williamstown, Massachusetts, and toured to The Contemporary Arts Museum, Houston and Los Angeles Museum of Contemporary Art. Honing in on much of humanity's compulsive relationship with computers and virtual networks, Oursler orchestrates microcosmic scenes, tableaus, and interventions that convey the obsession, … Importantly, Oursler invited Kelley to participate in his early 1990s dummy series, an invitation that resulted in White Trash/Phobic. . Il nous est proposé ici l'analyse de l'oeuvre "Marlboro, Camel, Winston, Parliament, Salem, Marlboro Light, American Spirit" de l'artiste plasticien Tony Oursler appartenant au mouvement artistique contemporain, présentée en 2009 a la Metro … Tony Oursler. Change ), You are commenting using your Facebook account. “As it turns out, science fiction is just as neurotic as we are,” Oursler notes. This website is estimated worth of $ 8.95 and have a daily income of around $ 0.15. Fusing media-saturated artifice with primal obsessions, the iconography of his visual tableaux ranges from the biblical to the perverse; the language of his narrated texts is hilarious, irreverent and unexpectedly poetic. Oursler has worked in installation, painting, sculpture, and video since the mid-1970s. Oursler @ AROS. 1999 Tel Aviv Museum of Art Personally I like art that needs to be observed closely and can’t be instantly conceived, which this piece manages to do so incredibly well. It is a domain having com extension. As a pioneer of video art in early 1980s New York, Oursler specialised in hallucinogenic dramaturgy and radical formal experimentation, employing animation, montage and live action: “My early idea of what could be art for my generation was an exploded TV.” From performative and low-fi beginnings, Oursler has developed an ever-evolving multimedia and audio-visual practice utilising projections, video screens, sculptures and optical devices, which might take form as figurative puppets, ethereal talking automatons or immersive, cacophonous environments. In this project, analytical, documentary and interview texts will act as maps of key terms, ideas, and works, linking to pages of analysis, documentation, quotation, and comment. His recent mixed media installations, in which theatrical objects such as puppets and dolls are layered with video projections and spoken text, are prefigured in the wildly inventive body of videotapes that he has produced over the past twenty years. ( Log Out /  (2019). Tony Oursler’s brand of low-tech, expressionistic video theater is singular in contemporary art. Always rooted in the medium of film, Tony Oursler conjures sculptural and immersive experiences using technologies that hark back to magic lanterns, Victorian light shows, camera obscura and auratic parlour tricks, but that also look forward to the fully networked, digitally assisted future of image and identity production. Tony Oursler projette sa vision de l’humain. Tony Oursler (born 1957) is an American multimedia and installation artist. Tony Space. source: thecreatorsproject. There's a level of detail and variety in it with the highest level of production. Tony Oursler has pulled out all the stops with two exhibitions, one for each side of the brain. Top Art Shows, Contemporary Art and Erotic Events. View Animal Circle (1983) By Tony Oursler; Acrylic on paper; 9 x 9 in. Early works, such as The Weak Bullet (1980) and Grand Mal (1981), have been described as “half Jackson Pollack, half David Cronenberg, and as funny as [they are] paranoid.” The faux-naivete of his visual and spoken tales belies the textual sophistication of his meta-language of pop culture and subversion of narrative modes. Tony Oursler has a dynamic video practice that combines and expands the physical, confrontational installations of Nam June Paik and Bruce Nauman, the countercultural analysis of Mike Kelley and Jim Shaw, and the prevailing theories about the psychological impact of mass media on the individual. . Date de création ... cette œuvre n’est pas tant le portrait de The Poetics qu’elle n’est une analyse de la façon dont l’histoire se construit. Change ), You are commenting using your Google account. Powered by Create your own unique website with customizable templates. Thought Forms. En 1977, il fonde … ART IN REVIEW; Tony Oursler. Tony Oursler worked with artists including John Baldessari, and embraced the notion of starting with an idea and then moving to a formal expression of the idea. Since the 1980s, Tony Oursler (b. (sheet), 11 3/4 x 11 3 ; Signed; Edition. Since the late 1990s, artist Tony Oursler (born 1957) has amassed a vast personal archive of objects and ephemera relating to magic, the paranormal, film, television, phantasmagoria, pseudoscience and technology. His fascination with the immense potential of new technologies and its power to imitate human spiritual and emotional … Oursler was born in 1957. tonyoursler.com is 1 decade 9 years old. Walk into the Lisson Gallery off London’s Edgware Road and you’ll be greeted by rooms full of peering, uncanny masks, some of them recognizble as human faces, others distorted, reassembled abstractions with just an eye and mouth hanging there. For ‘Oxt Variations’ I was fascinated with complexity, depth and placement of each of the projected sculptures and artworks. Could you see your mom rocking Adam Harvey’s CV Dazzle look? Tony Oursler's work centres on our acceptance of the vanishing distinction between what is real and what is constructed through the use of common yet mimetic forms such as video, computers, television, film, photographs, talking heads and eyes etc. My studio interfaced with Dr. Thomas Busey of the Department of Psychological and Brain Studies at Indiana University, and he and his students kindly rendered a group of images for us to use.”. Tony Oursler’s works provoked interest for me as it is unlike anything I’ve ever seen before. The cognitive dissonance of simultaneous awestruck belief and neurotic analysis of the technique produces in me a flash of The Sublime. . [online] Available at: https://tonyoursler.com/thought-forms-new-york [Accessed 14 Dec. 2019]. Tony Oursler. I noticed Oursler often uses the eyes and mouths of people, since these are vital organs for reading human emotions. Kendi Pinlerinizi keşfedin ve Pinterest'e kaydedin! Access more artwork lots and estimated & realized auction prices on MutualArt. At Metro Pictures, Mr. Oursler's showmanship is in full cry with three immensely appealing if … Fantastic Prayers, a 1999 CD-ROM project that translates many of these themes into an interactive format, is a collaboration of Oursler, writer Constance DeJong and composer/musician Stephen Vitiello. There’s definitely a creepy element to the portraits, which Oursler says comes from our own apprehensiveness towards technologies—especially the biometric kind—and the encroachment on privacy they seem to demand in an increasingly paranoid world, a world that also asks us to be ready for new mixed-realities (virtual and non-virtual) wherein devices like Oculus and Microsoft’s HoloLens will augment our lives and perceptions. "The Influence Machine," New York “EVOL,” Sammlung Goetz, Munich. I like how Oursler exaggerates these effects by using repetition, layering of videos and using image-processing technology to twist, bend, morph and remove facial features to further amplify the non-human, mutant-like nature of some of his creations. source: eaiorg. His more recent installation works continue to explore a kind of macabre psychodramatic theater with pop cultural elements. [online] Available at: https://tonyoursler.com/super-pop-and-not-hong-kong [Accessed 14 Dec. 2019]. Tony Oursler Lives and works in New York, NY, USA 1979 BFA, California Institute for the Arts, Valencia, CA, USA 1957 Born in New York, NY, USA Selected Solo Exhibitions ... ‘Freud – The Creative Analysis of Analysis’, University of Connecticut, Storrs, CT, USA These unusual portraits are part of American artist Tony Oursler’s artist’s first UK show in five years, template/variant/friend/stranger, that explores the human face as filtered through the aesthetics of surveillance. your own Pins on Pinterest Tracking back to the time it was conceived, Blue grappled with technological analyses which, for the most part, were infantile and misunderstood. Utilizing low-tech gadgets to simulate and satirize video effects, his disjunctive fictions are haunted by themes of sexual alienation and hysteria, political and cultural violence, and the dichotomies of good and evil, life and death. . Tony Oursler, Blue, 2006, Plus V-339 projector, DVD player, DVD & fibreglass form. Tony Oursler: David Bowie's latest work is astounding. Allez-y, vous n’en reviendrez pas ! - Kunster arbejdede på In the late 1970s and early 1980s, he experimented with sound and collaborated with Mike Kelley and John Miller as part of The Poetics, an “art band” that united the artists’ interest in music and performance. Tony Oursler's work centres on our acceptance of the vanishing distinction between what is real and what is constructed through the use of common yet mimetic forms such as video, computers, television, film, photographs, … Tony Oursler (b. . In addition to participating in prestigious group exhibitions such as Documenta VIII and IX, Oursler’s work is included in many public collections worldwide, including the Hirshhorn Museum and Sculpture Garden, Washington, DC; Centre Georges Pompidou, Paris; Museum of Modern Art, New York; National Museum of Osaka, Japan; Tate Gallery, London; Van Abbemuseum, Eindhoven and ZMK/Center for Art & Media, Karlsruhe, Germany. Unk - af Tony Oursler Social analyse - Værket er skabt til rummet. 1996 Zero . Re: Tony Oursler Jean … Beginning in the early 1980s, after receiving his B.A. Tony Oursler February 17, 2003 8:12 PM Subscribe. Walk into the Lisson Gallery off London’s Edgware Road and you’ll be greeted by rooms full of peering, uncanny masks, some of them recognizble as human faces, others distorted, reassembled abstractions with just an eye and mouth hanging there. Tony Oursler Born: New York, 1957 Lives: New York Education: 1979 California Institute of the Arts, B.F.A Solo Exhibitions 2010 "Vertical Loop Task," Baldwin Gallery, Aspen "Number Seven, Plus or Minus 2," Faurschou Gallery, Beijing, China 2009 "LOCK 2,4,6", Kunsthaus Bregenz, Austria (2009 - … Оуслер, Тони ID. Tony Oursler’s work is dominated by the key themes of everyday contemporary life such as the relationship with the media, mental illness, pop culture, consumerism and pollution. While talking with Steve during my tutorials, I was given the names of a few people that have made careers in the field of interactive and installation art that I could research and analyse. Using biometrics, and facial recognition to inform the works, the show looks at how our identities are being impacted by the vast collation of data by global security services. One for each side of the Arts, Valencia, California in 1979 icon Log! / the Influence Machine, '' New York, NY ) lives and works in New York, NY lives! Me a flash of the projected sculptures and artworks importantly, Oursler invited Kelley to participate in his early dummy. Tôt aux Arts visuels, à la littérature about art and Erotic Events Føler sig utilpas, en ubehagelig af... All This technology is functioning right now. ” Blue, 2006, Plus V-339,., ” Oursler tells the Creators Project Suffern, New York City Creators Project his follows! K Dick was correct about that: we are, ” Sammlung Goetz,.... 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